The wall adds a new toy: a string of faint lights that hang at mid-chest height and drift from left to right across the room at random speeds. If my head tracks them, the bells tattle. If my eyes lock, the floor humps itself into a ridge where I don't want it.

"Look soft," Valeria says. "See everything, pick nothing."

I let the lights be lights and blanket the whole room with attention that doesn't have a favorite. Peripheral vision is where sharp things live. The next set of cuts land inside that blanket. The bells act bored. The lights drift, discover I'm not fun, and go elsewhere to annoy someone deserving.

"Enough," I say, when my forearms start to whisper about being made of meat.

The mirror fades. The birdcage melts into the floor. In their place, the tower offers me a little line of text at knee height: NOW WITHOUT THE MIRROR.

"Ah," Valeria says. "The trust fall."

Erebus: "Proceed."

I do the same work without help: soft eyes, neutral grip, forearm chain, no heel stamp, pre-motor silence. Cut on the bottom of the breath. The floor doesn't roll me. The walls don't recoil. The ceiling has stopped trying to be a number and has settled for being above me.

We rotate through stances: forward, back, switch, short guard walk, tip quiet, shoulders politely boring. I don't let the left shoulder start a conversation just because the right one had to sit down. Both are equal under the law of 'no speeches.'

The tower, annoyed that I'm not being led by the nose, turns the hallway into a thin bridge across a shallow pit of paper. The paper smells like old contracts and small defeats. Every time my foot drives too obviously into the bridge, a sheet lifts and snaps like a disapproving aunt.

"I have many aunts," Valeria says when the first sheet scolds me. "All of them in my grip."

"Thank you for the family," I tell her, and make my step less interesting.

Zero-tell entries mean my presence fills the next second without announcing which part of me will be there. When I get it wrong, the bridge hums disapproval and the pit flutters like a filing cabinet being opened in a hurry. When I get it right, the bridge feels like a continuation of my shinbone.

We take that skill and go smaller. The shortest cut that still matters. Wrist forearm, not shoulder. The blade is the movement. I am allowed to come along.

An hour (or ten minutes; time here is opinionated) later, the bridge has accepted that I'm boring. The pit of paper gives up its snapping hobby and lays flat, like a library after closing. I step onto the far lip and the tower gives me a door.

The door is not made of praise this time. It's a rectangle of plain wall that decides to stop existing. I look at it, wait, and when it stays boring for ten consecutive seconds, I allow myself to go through it.

Before I do, I take stock.

"State?"

Erebus: "Recording."

"Draws and cuts are zero-tell most of the time. Heel no longer writes a letter first. Shoulder has agreed to a lifetime of silence. Eyes can be soft even when the room is annoying. Breath is the only drum I can afford and it keeps time. Unity is intact. The new trick is less, not more."

Valeria warms. "You are beautifully uninteresting. I'm proud."

"That sounds like an insult," I say, pleased.

"It's the best kind," she says. "The kind that saves your life."

I take one more cut, because I don't trust doors that don't have to wait their turn. The blade moves like the thought of a blade. The body is a rumor that turned out to be true. Nothing in me leaves a note.

The room does not react, which is the same as approval here.

"Proceed," Erebus says.

We step into the next hall.

It's wider, which is polite, and lined on one side with what might be windows if windows were made of old paper pressed under glass. The paper is full of handwriting I can't quite read. The smell is libraries and rain and hope that thinks it's practical.

I give the windows my soft eyes. They behave like scenery. Good. I don't have time for their autobiography.

We walk in short guard, tip quiet, feet not making promises. The floor tries to steal one promise anyway by sinking where my weight is supposed to be a heartbeat from now. It doesn't get anything to eat. I'm already gone when the idea of me arrives.

"I liked that," Valeria says. "Do it again. Do it a thousand times."

"I will," I say, and mean it.

The hallway ends in a panel of a different gray. It's the kind of gray that thinks very highly of itself. The panel writes, in tidy print: PROVE IT.

I do not give a speech. I don't scowl. I don't summon Grey, because Grey isn't here for me in the ways that count. I simply draw and cut.

It's the same cut I've been practicing for an hour that might be ten minutes. It's the same breath. It's the same bored shoulder. It's the same quiet step. The blade arrives and the world admits it has been cut without any of the usual theater.

The panel is already open by the time the red dots in my head remember they exist.

Valeria laughs, bright as new steel. "See? Nothing is the sharpest thing."

Erebus: "Proceed."

I do.

As I pass the threshold, the old tether aches in memory. I let the ache exist and don't let it write my next step. Alone is a big word. I fill it with small work and a sword that refuses to lie about what it's for.

Ahead, the tower gets taller, or I get smaller, which is the right direction either way.

We keep moving.

"Again?" Valeria asks, hungry for the next boring miracle.

"Again," I say, and the bells stay quiet even though there aren't any.

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