Unexpectedly, this guy managed to reach the sixth level with just a single Game Coin in the game. Feng Yi claimed he wasn't surprised, which was pure nonsense. Just when he prepared to make another attempt, Feng Yi waved a large hand, and a phantom-like image immediately enveloped Allen's hand.

"Enough! You've already lost."

"Lost!?" Mo Ying was slightly stunned, "I just started learning; this is only practice. Let's go again."

"The game's rules didn't mention retries, but alright, you can try one more time. There won't be another chance after this."

"Just! Just one more try...!?"

Mo Ying broke into a sweat upon hearing this. Although this aerial combat shooting game appeared easy to operate, it was not so simple to control. This was just secondary; the key issue was the computer's bullets were unavoidable. The speed of the trajectories was demonically fast. If someone uninitiated tried to clear this game, they would have to rely on the Four-Dimensional Time Delay Law, in other words, slowing down the flow of time.

However, it was currently in a three-dimensional spacetime. But that's alright; since dimensional retention couldn't be achieved, it could be possible to foretell future outcomes through Fate Refraction.

With this thought, Mo Ying picked up the controller again and started playing the game...

Level one, cleared; level two, cleared as well. This time, Mo Ying's gameplay was quite smooth until a full cycle was completed. Only then did Feng Yi sense that something seemed out of the ordinary.

Obviously, Mo Ying's comprehension ability was strong, but not enough to clear the first cycle without dying. This time seemed much easier compared to last.

"You're not cheating behind the scenes, are you?"

"The game follows normal rules; the rules don't prohibit playing using one's abilities."

Feng Yi was left speechless after hearing this. It was undeniable that just after he had said his piece, the guy immediately countered, "Alright, but I want to know how you're playing the game so smoothly."

"Fate Refraction."

Mo Ying explained Fate Refraction while playing. Essentially, it can be understood as foreseeability. He had mentioned this issue before. For example, everyone's life is predetermined and traceable. However, there are microscopic discrepancies in the predetermination. No matter what you intend to do in the next moment or have already done, it generally won't change significantly. Even if there is any change, the issue will manifest in another way. Yet, the higher dimension's discrepancies lie in observing the Fate Cause and Effect of everyone, thereby eliminating other possibilities at the root.

In the simplest terms, what you intend to do in the next moment will appear like a papery projection in your consciousness, whether it's steering the plane left, right, forward, or backward, thereby eliminating potential issues.

But this fate is not guaranteed to succeed one hundred percent.

For instance, if someone intends to kill you, and you find yourself in a dire situation, you can delay time through communication.

As for what to say, it is up to you. You might try using money, pleas, threats, or any other means to delay your demise. The person might change their current intention due to what you said.

Your choice is singular. However, in Mo Ying's worldview, there exist countless choices. Among these so-called choices lie countless possibilities, visible to Mo Ying.

Nevertheless, you would still die because no choice holds meaning for the one determined to kill you. Thus, you can see your fate line and foresee what the other party will do next, but you cannot intervene in their actions.

Of course, there are countless possibilities here, known as passive possibilities.

For instance, when that person decides to shoot you, your outcome will inevitably be death. But through Fate Refraction, you can see when they will shoot, the gun may jam, or even the specific point on your body where the bullet will hit, allowing you to survive. This is the most powerful aspect of the fate line.

The terrifying aspect of Feng Yi, however, lies in the fact that he was already deceased but appeared in this world for other reasons. In a certain sense, his fate line has changed. This change doesn't normally affect his predetermined trajectory. The principle of 'a broken mirror cannot be mended' only applies to lower civilizations; a severed line can be reconnected.

The only difference unique to Feng Yi is his mastery of the Third Rhythm skill. This skill's macro perspective surpasses the fate line, serving as a genuine evolutionary carrier of the universe. The infinite possibilities encompassed in the fate line bear no practical significance to Feng Yi.

This explanation might be difficult to understand, so a simpler analogy is that 'bizarre' manifestations do not contain a fate-cause medium, and are impossible to trace—being both causeless and effectless. If there's no effect, where does the cause come from?

If there's nothing, where does it originate from? Such "something from nothing" life entities cannot pursue fate lines. The above laws are similar to Feng Yi's situation, essentially akin, at least after Feng Yi comprehended the Third Rhythm skill, his fate line underwent unknown change. However, that fate line didn't cease to exist; it just differed from others. As for how, Mo Ying couldn't quite articulate, but it certainly dictated that even in its dimension, it should also exceed that dimension.

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